Roger Brunyate
Repertoire List
| Abbreviations: | Other Sections:
| | Classical Opera
| 2, 3 | number of productions, if more than 1
| Bel Canto Opera
| ad | served as assistant on professional production
| Romantic Opera
| d | production also designed
| Earlier 20th-Century Opera
| p | produced for another director
| Contemporary Opera
| s | directed substantial scenes only
| Operetta and Musicals
| Companies and Colleagues
| |
| Early and Baroque Opera | |
| BONONCINI | ||
| The Triumph of Camilla (p) | ||
| CAVALLI | ||
| Calisto (2) | ||
| Egisto (new edition) | ||
| Ormindo (2, d) | ||
| CHARPENTIER | ||
| Actéon | ||
| Le mariage forcé | ||
| GAY | ||
| The Beggar's Opera | ||
| HANDEL | ||
| Giulio Cesare | ||
| HILDEGARD VON BINGEN | ||
| Ordo Virtutum (2) | ||
| JACQUET DE LA GUERRE | ||
| Procris et Céphale (s) | ||
| MONTEVERDI | ||
| Il Combattimento di Tancredi e Clorinda | ||
| L'Incoronazione di Poppea (3) | ||
| Orfeo | ||
| Tirsi e Clori | ||
| PURCELL | ||
| Dido and Aeneas (4, d) | ||
| Masque from Diocletian | ||
| Masque from Timon of Athens | ||
| RAMEAU | ||
| Adonis | ||
| Anacréon | ||
| TELEMANN | ||
| Pimpinone | ||
| Classical Opera | ||||||||||||||||||
| CIMAROSA | |||||||||||||||||||
| Il Matrimonio Segreto (s) | |||||||||||||||||||
| GLUCK | |||||||||||||||||||
| Orfeo ed Euridice (s) | |||||||||||||||||||
| HAYDN | |||||||||||||||||||
| La Canterina (p) | |||||||||||||||||||
| La Fedeltà Premiata | |||||||||||||||||||
| Orfeo (ad) | |||||||||||||||||||
| Lo Speziale (3, d) | |||||||||||||||||||
| MOZART | |||||||||||||||||||
| Così fan tutte (6, d) | |||||||||||||||||||
| Die Entführung aus dem Serail | |||||||||||||||||||
| Don Giovanni (4, d) | |||||||||||||||||||
| Idomeneo | |||||||||||||||||||
| Le nozze di Figaro (4, d) | |||||||||||||||||||
| Die Zauberflöte (6, d) | |||||||||||||||||||
| SALIERI | |||||||||||||||||||
| Falstaff (s) | |||||||||||||||||||
| Bel Canto Opera | |
| BELLINI | ||
| I Capuleti ed i Montecchi (ad) | ||
| DONIZETTI | ||
| L'Ajo nell'Imbarazzo (p) | ||
| Don Pasquale (s) | ||
| L'Elisir d'Amore (2, d) | ||
| Rita | ||
| ROSSINI | ||
| Il Barbiere di Siviglia (2) | ||
| La Cenerentola (p, s) | ||
| L'Italiana in Algeri (ad, s) | ||
| SPONTINI | ||
| La Vestale (ad) | ||
| Romantic Opera | |
| BIZET | ||
| Carmen (p, s) | ||
| CORNELIUS | ||
| Der Barbier von Baghdad (s) | ||
| DELIBES | ||
| Lakmé (s) | ||
| GOUNOD | ||
| Faust (s) | ||
| Roméo et Juliette (s) | ||
| HUMPERDINCK | ||
| Hänsel und Gretel (2) | ||
| LEONCAVALLO | ||
| I Pagliacci (s) | ||
| MASSENET | ||
| Cendrillon | ||
| Manon (p, s) | ||
| Thaïs (s) | ||
| Werther (ad, s) | ||
| NICOLAI | ||
| Die Lustigen Weiber von Windsor (d) | ||
| PONCHIELLI | ||
| La Gioconda (s) | ||
| PUCCINI | ||
| La Bohème | ||
| Gianni Schicchi (5) | ||
| Suor Angelica (3) | ||
| Il Tabarro (4, d) | ||
| Tosca | ||
| SMETANA | ||
| The Bartered Bride (p) | ||
| STRAUSS, J | ||
| Die Fledermaus | ||
| TCHAIKOWSKY | ||
| Eugene Onegin (2, d) | ||
| Iolanta (d) | ||
| THOMAS | ||
| Mignon (s) | ||
| VERDI | ||
| Aïda (ad) | ||
| Un Ballo in Maschera (s) | ||
| Don Carlo (s) | ||
| Falstaff (3) | ||
| Macbeth (s) | ||
| Rigoletto (s) | ||
| La Traviata (d) | ||
| Il Trovatore (d) | ||
| WAGNER | ||
| Das Rheingold (s) | ||
| Die Walküre (s) | ||
| WEBER | ||
| Der Freischütz (s) | ||
| Earlier 20th-Century Opera | |
| BLOCH | ||
| Macbeth (s) | ||
| DEBUSSY | ||
| Pelléas et Mélisande (s) | ||
| GHEDINI | ||
| Le Baccanti (ad) | ||
| HINDEMITH | ||
| Hin und Zurück (d) | ||
| HOLST | ||
| Savitri (2, d) | ||
| POULENC | ||
| Les Dialogues des Carmelites (s) | ||
| La voix humaine (3, d) | ||
| RAVEL | ||
| L'enfant et les sortilèges (3) | ||
| SCHOENBERG | ||
| Pierrot lunaire | ||
| STRAUSS, R | ||
| Arabella (s) | ||
| Ariadne auf Naxos (2) | ||
| Intermezzo (s) | ||
| Der Rosenkavalier (s) | ||
| STRAVINSKY | ||
| The Rake's Progress | ||
| Le Rossignol | ||
| TOCH | ||
| Edgar and Emily (2) | ||
| VAUGHAN WILLIAMS | ||
| Riders to the Sea (4, d) | ||
| Sir John in Love (s) | ||
| WEILL | ||
| Der Jasager (p) | ||
| Mahagonny Songspiel (d) | ||
| Threepenny Opera (d) | ||
|
Contemporary Opera (selection; excluding many shorter premieres) | |
| ARGENTO | ||
| Postcard from Morocco | ||
| A Waterbird Talk (d) | ||
| BERNSTEIN | ||
| Trouble in Tahiti (2) | ||
| BIRTWHISTLE | ||
| Punch and Judy (ad) | ||
| BRITTEN | ||
| Albert Herring (3) | ||
| A Midsummer Night's Dream (2) | ||
| Peter Grimes (s) | ||
| The Rape of Lucretia (4, d) | ||
| The Turn of the Screw (3) | ||
| CROZIER | ||
| With Blood, With Ink (2) (premiere, d) | ||
| The Reunion (2) (premiere; also librettist) | ||
| FLOYD | ||
| Slow Dusk | ||
| Susannah | ||
| HARBISON | ||
| Full Moon in March | ||
| HOIBY | ||
| The Tempest (deuxième) | ||
| This is the Rill Speaking | ||
| KIM | ||
| From Geneva to Mars (premiere) | ||
| MATHEWS | ||
| Chatter and Static (premiere) | ||
| MECHEM | ||
| Tartuffe | ||
| MENOTTI | ||
| Amahl and the Night Visitors (3) | ||
| Amelia al Ballo (p) | ||
| The Medium (p) | ||
| The Old Maid and the Thief (p) | ||
| MOLLICONE | ||
| Hotel Eden (deuxième) | ||
| MOORE | ||
| The Ballad of Baby Doe (s) | ||
| MORRILL | ||
| Perlimplín (3) (premiere) | ||
| MUSGRAVE | ||
| Echoes through Time (p) | ||
| MYERS | ||
| Defendants Rosenberg (premiere) | ||
| PASATIERI | ||
| Signor Deluso | ||
| SHAPIRO | ||
| The April Witch (premiere; also librettist) | ||
| SUSA | ||
| Transformations | ||
| THOMAS | ||
| Ligeia (premiere) | ||
| WALTON | ||
| The Bear | ||
| WARD | ||
| Abelard and Heloise (s) | ||
| The Crucible (2) | ||
| Roman Fever (also librettist) | ||
| WEISER | ||
| Where Angels Fear to Tread (premiere; also librettist) | ||
| ZIMMERMANN | ||
| Die Weisse Rose | ||
| Operetta and Musicals | |
| BERLIN | ||
| Annie Get your Gun | ||
| BERNSTEIN | ||
| Candide (p) | ||
| HERBERT | ||
| Naughty Marietta | ||
| SONDHEIM | ||
| A Little Night Music (d) | ||
| SULLIVAN | ||
| HMS Pinafore (4, d) | ||
| The Gondoliers | ||
| Iolanthe (d) | ||
| The Mikado (3, d) | ||
| The Pirates of Penzance (4, d) | ||
| Ruddigore | ||
| Trial by Jury (d) | ||
| The Yeomen of the Guard (2, d) | ||
PROFESSIONAL COMPANIES: Baltimore Chamber Opera • Baltimore Opera Company • Baltimore Symphony Orchestra • Chicago Opera Theater • Edinburgh Festival Opera (ad) • English Opera Group (ad) • Essex Opera, England • Evian-les-Bains, France • Four Corners Opera • Glasgow Grand Opera • Glyndebourne Touring Opera • Glyndebourne Festival Opera • La Scala, Milan (ad) • Library of Congress • Lyric Opera of Kansas City • Maggio Musicale Fiorentino (ad) • Opera da Camera de Costa Rica • Opera da Camera, Edinburgh • Scottish Opera (ad) • Whitewater Opera, Indiana • Wolf Trap Opera Company (Artistic Director) • Young Victorian Theatre Company
SCHOOLS AND COLLEGES: Cincinnati College-Conservatory • University of Connecticut • Curtis Institute • Florida State University • University of Glasgow • University of London • University of Missouri • Peabody Conservatory • University of TexasCONDUCTORS WORKED WITH (selection): Claudio Abbado (ad, Edinburgh) • Richard Bonynge (ad, Edinburgh) • Walter Ducloux (ad, Austin) • Peter Erös (Peabody) • Marc Flint (Chicago) • Hal France (Wolf Trap, Kansas City) • Myer Fredman (Glyndebourne) • Vittorio Gui (ad, Florence) • Kim Kowalke (Cape Cod) • Martin Isepp (Glyndebourne, Peabody) • Raymond Leppard (ad, Glyndebourne) • Jorge Mester (Peabody) • Hajime Teri Murai (Peabody) • Russell Patterson (Kansas City) • Edward Polochick (Peabody) • Frederik Prausnitz (Washington, Peabody) • Sir John Pritchard (ad, Glyndebourne) • Mstislav Rostropovich (Evian) • Gerhard Samuel (Cincinnati) • Andrew Schenck (Baltimore Chamber Opera) • Kenneth Slowik (Washington, Peabody) • Ignace Strasfogel (Curtis) • Kate Tamarkin (Peabody) • Yuri Temirkanov (Baltimore Symphony) • Webb Wiggins (Washington, Peabody) • Richard Woitach (Wolf Trap) • Gene Young (Peabody)
DIRECTORS WORKED WITH (all as assistant): Anthony Besch (English Opera Group) • Antonello Madau Diaz (Edinburgh, Florence) • Peter Ebert (Edinburgh) • Franco Enriquez (Glyndebourne) • Sir Peter Hall (Glyndebourne) • Rudolf Hartmann (Edinburgh) • Sir Michael Redgrave (Glyndebourne) • Gunther Rennert (Edinburgh) • Margarita Wallmann (La Scala) •
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